How did Jerzy Grotowski die?

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Jerzy Grotowski, the Polish director who was one of the most important and influential theatrical innovators of his time, died yesterday in Pontedera, Italy. He was 65 and lived in Italy. Mr. Grotowski died after years of fighting leukemia, said the director Andre Gregory, a friend.15 янв. 1999

Who was Grotowski?

Jerzy Grotowski, (born August 11, 1933, Rzeszów, Poland—died January 14, 1999, Pontedera, Italy), international leader of the experimental theatre who became famous in the 1960s as the director of productions staged by the Polish Laboratory Theatre of Wrocław.

Was Jerzy Grotowski married?

What to do with this potential for this individual, for this individual, for this one, for this one.” Ryszard: Grotowski never married. He had no children. He was a workaholic.

What did Jerzy Grotowski want to achieve?

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What did Jerzy Grotowski want to achieve? He wanted actors and audience to undergo an event wherein they might spiritually confront themselves.

What is Grotowski known for?

Jerzy Grotowski was a theatre director, educator and creator of acting methods. He was born in 1933 in Rzeszów in Poland and died in 1999 in Pontedera, Italy. He is considered to have been one of the great reformers of 20th century theatre. He was known for his intense actor training in Poland in the 1960s and 1970s.

How did Grotowski train his actors?

In his method, Grotowski experienced the so-called “physiological resonators”. He asked the actors to bring out the voice from their back and their necks and from their limbs. Then, in order to stimulate the voice, he asked them to choose a text and to play, sing and shout it (Richards, 1995).

What did Joan Littlewood do?

Joan Maud Littlewood (6 October 1914 – ) was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called “The Mother of Modern Theatre”.

Can theatre exist without an audience?

Theatre can’t happen without an audience. It comes to life in the moment. It is experienced by those who haven’t been involved in its creation. A piece of work can seem full of exciting ideas and potential when it’s being planned or is at the dress rehearsal, but it can die when it finally meets its audience.