What is Jerzy Grotowski best known for?

Jerzy Grotowski, (born August 11, 1933, Rzeszów, Poland—died January 14, 1999, Pontedera, Italy), international leader of the experimental theatreexperimental theatreExperimental theatre (also known as avant-garde theatre), inspired largely by Wagner’s concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays.

What is Grotowski method?

Grotowski students are trained to use their bodies and voices so that the entirety of a text can be relayed using just movements and nonverbal sounds. The technique prioritizes physical and mental health—for the performer’s well-being, but also the sake of the performance.

What did Jerzy Grotowski create?

Grotowski and his group of actors became known in particular for their experimental work on the human voice, partially inspired by the work of Roy Hart, who in turn furthered the extended vocal technique initially established by Alfred Wolfsohn.

What did Jerzy Grotowski want to achieve?

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What did Jerzy Grotowski want to achieve? He wanted actors and audience to undergo an event wherein they might spiritually confront themselves.

What is Grotowski Laboratory Theatre?

the best-known and most commonly used general name for Grotowski’s theatre company. The term ‘laboratory’ was officially added to the name of the Theatre of 13 Rows on 1 March 1962, shortly after the premiere of Kordian and during work on Akropolis.

What were Jerzy Grotowski’s ideas about staging theatre?

The theatre, he believes, cannot be an end in itself; like dancing or music in certain dervish orders, the theatre is a vehicle, a means for self-study, a means for self-study, self-exploration, a possibility of salvation. The actor has himself as his field of work.

Why did Jerzy Grotowski create poor theatre?

work of Grotowski

staging that he called “poor theatre.” He rejected the idea that theatre should attempt to match the spectacle and effects of film and television and declared that the primary element of theatre is the relationship between actor and spectator.