What does Spass mean in drama?

funSpass literally translates as ‘fun’. Brecht wanted to make his audience think. He realised that while we are laughing we are also thinking. So much so that the playwright Eugène Ionesco called him a ‘postman’ because he was always delivering messages!

What are placards used for in drama?

A placard, or projection screen can be used to give the audience some extra factual information, for example it might say how many people have died in a particular war. Placards can also be used to introduce characters in generic ways, e.g. ‘mum,’ or ‘dad.

What is Gestic acting?

Gestus is an acting technique developed by the German theatre practitioner Bertolt Brecht. It carries the sense of a combination of physical gestures and “gist” or attitude. It is a means by which “an attitude or single aspect of an attitude” is revealed, insofar as it is “expressible in words or actions.”

Why does Brecht use stereotypes?

Stereotypes and caricatures are not out of place in Brecht’s theatre. Brecht wanted to position his ideas as different from Stanislavski. Brecht liked comic actors and admired Charlie Chaplin because they don’t get caught up in the psychology of a character.

What is multi-Roling and split roles in drama?

Multi-roling is when an actor plays more than one character onstage. Split-roling is where more than one actor plays the same character. For instance, the actor playing the main character might rotate from scene to scene.

What is hot seating?

Hot-seating is a drama strategy in which a character or characters, played by the teacher or a child, are interviewed by the rest of the group. • It invites children to recount a specific event, explore motivation and multiple perspectives/experiences related to a theme, topic, event, or idea within a story.

What is breaking the 4th wall in drama?

The fourth wall is the implied plane that marks the “edge” of the onstage action. Actors break the fourth wall by acknowledging the existence of the audience.

What is Spass and Gestus?

Spass literally translates as ‘fun’. Brecht wanted to make his audience think. He realised that while we are laughing we are also thinking. So much so that the playwright Eugène Ionesco called him a ‘postman’ because he was always delivering messages!

What is Historification in epic Theatre?

‘historification’ was a term Brecht used to define the technique of deliberately setting the action of a play in the past in order to draw parallels with contemporary events. ‘historification’ enabled spectators to view the events of the play with emotional detachment and garner a thinking response.